Version 5.5.1 : 20.12.02: ⁃ This is a maintenance release, some bugs have been fixed. ⁃ Fixed a graphic problem on PDF sheets on MacOS HighSierra or older. ⁃ New command to import an audio CD image saved as AIFF or WAV file from the previous versions of DSP-Quattro ⁃ Fixed a potential problem of access privileges when exporting and replacing the source file. ⁃ New option to save the current audio CD as DDP image just after the burning process of the current audioCDLayout, to avoid to render again the current audioCDLayout for burning additional copies when reloading the project ⁃ New auto-detection to build an audioCDLayout directly from the regions on an audio file. ⁃ New command to burn an audio CD directly from a DDP image. Version 5.6 : 21.03.23: ⁃ It is a Universal Application, it runs native on Macs based on Apple Silicon CPU. Version 5.6.1 : 21.03.25: ⁃ Fixed the missed connection of the menu commands to apply the Declicking algorithm to the audio file and to the current selection. ⁃ The code is very much faster ⁃ Several bugs have been fixed. Now a scissor tool is available to do additional cuts, and Undo/Redo is available also while using the Cut Editor. Throughout our testing, we were constantly and pleasantly surprised by the way it handled itself.DSP -Quattro Version 5.7 : 21.12.29: ⁃ The Cut Editor has been revisited and very much improved. For heavyweight audio editing, it's not as feature-packed as the likes of WaveLab, but then it's nowhere near as expensive. On the downside, although you get peak/RMS metering, there are no built-in spectral analysis tools.ĭSP-Quattro gets a big thumbs-up for its routing flexibility and virtual instrument support, going beyond your basic audio editor in that sense. Basic audio editing and looping is easily applied, and with audio scrub, you can even find your edit points by ear if you like. The onboard effects do the job, although for serious mastering, you'll be glad of the AU/VST support. It makes it easy to put together a CD master, with crossfades, ISRCs and track- by-track and global insert processing. Once you've found a setup that works, use it as a template.ĭespite being quite 'different', DSP-Quattro is admirably self-explanatory in many respects, and the precise yet stylish Logic-style graphics feel instantly familiar. Ultimately, we'd prefer a global workspace-based layout rather than DSP-Quattro's 'start from scratch with each new file' approach, but the Project file type does recall your exact window layout. On paper, this might all sound slightly odd, but it's an extremely flexible system, and with four internal stereo channels and hardware routing built into many of the modules, creative routing setups can be built to an extent that we've not seen in an audio editor before. You can freely arrange all of these and hide, deactivate and generally organise stuff in the Documents window, which lists all of the active Generators. ![]() ![]() ![]() These include the Input, Input Recorder, Virtual Instrument and Audio File Player modules, which feed into the Audio Output and Output Recorder modules. The main thing you should understand about DSP-Quattro is that it's a modular system, with sound-producing modules called Audio Generators.
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